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U.S. Fulbright

How to Build a Fulbright Top-Producing Institution: Appalachian State University

May 15, 2020

 

 

 

 

 

 

 

 

 

What makes a “Fulbright Top-Producing Institution“? In the coming weeks, a variety of institutions will discuss their efforts to recruit, mentor, and encourage students and scholars to apply for the Fulbright U.S. Student and U.S. Scholar Programs. We hope these conversations pull back the curtain on the advising process, and provide potential applicants and university staff with the tools they need to start their Fulbright journey. 

By Joanie Andruss, assistant director, Nationally Competitive Scholarships at Appalachian State University

Question: Your outstanding students are one of many factors that led to this achievement. What makes your students such exceptional candidates for the Fulbright Program?

I’ve found that our students tend to seek out diverse combinations of academic, service, and leadership activities, which contribute to what makes them such exceptional candidates for the Fulbright Program. Caroline Webb, an English Teaching Assistant in Timor-Leste, embodies this. She majored in psychology, had a passion for American Sign Language, was highly involved in campus as a Student Leadership Consultant, collaborated with faculty on research, studied abroad, was a teaching assistant, played a range of Appalachian instruments, and was a member of an interdisciplinary living-learning community known as the Watauga Residential College. This list of noteworthy accomplishments isn’t unique only to Caroline, but represents the range of involvement that many of our students engage with on our campus.

 

What steps have you taken to promote a Fulbright culture on your campus?

Our campus’s involvement with the Fulbright Program includes sending U.S. Students, Scholars, and Teacher Exchange participants, as well as hosting visiting Scholars-In-Residence. In late 2017, a group of faculty, staff, and administrators convened to form a Fulbright Week planning committee. This first group set the tone for the following years, and Fulbright Week events have become a regular part of campus programming each spring. During our Fulbright Week, we host receptions celebrating past and prospective Fulbright Scholars and Students, and offer a series of programming and advising for applicants. This serves as a kick-off event for continued support throughout the application cycle and year for faculty, staff, and students.

Efforts in promoting a Fulbright culture on our campus have also been enhanced through involvement in the 2018–19 Fulbright Program Advisor Development Initiative. This two-part training provided an in-depth opportunity to develop a more nuanced understanding of the Fulbright U.S. Student Program, further engage faculty, staff, and students across the multiple Program options, and offered additional opportunities to engage with Fulbright on our campus through outreach visits and faculty referrals to serve on National Screening Committee panels.

 

How has your institution benefited from increased engagement with the Fulbright Program?

Appalachian State University has had a successful history of engagement with the Fulbright U.S. Scholar Program, being named a top producer in that category four times since 2010. Appalachian encourages and supports its faculty members in applying for Fulbright awards because the university’s leadership recognizes the benefits of the program. This engagement provides faculty the opportunity to share academic knowledge with colleagues and students in other countries and to bring new knowledge, global understanding, and connections back to our campus community.

More recently, our institution recognized the need to further support students in their own pursuits of nationally competitive awards. This resulted in the creation of the Office of Nationally Competitive Scholarships, which offers outreach, mentorship, and advising throughout the entire application and selection process for a range of competitive awards, including the Fulbright U.S. Student Program. Within the first Fulbright application cycle after the creation of the office, we had four finalists, with three ultimately accepting the award for the 2019–20 grant year. This earned us the distinction of Top Producing Institution for Fulbright Student Programs.

From the student and applicant perspective, the process of applying for Fulbright U.S. Student awards has also had a significant impact on their connection with our institution and their preparation for their futures after graduation. A current Fulbright semi-finalist described that going through the application process gave her “even further appreciation for and faith in my alma mater.”

 

What advice do you have for other universities and colleges that want to increase the number of Fulbrighters produced by their institution?

My advice might be most relevant for universities and colleges with a small number of previous Fulbright U.S. Student recipients. These institutions therefore have limited examples of successful peers. Prior to the 2019–20 Fulbright year, only five Appalachian students had received a Fulbright award during the program’s history. So one of my challenges starting out was to encourage students to redefine what they thought Fulbright was and who it was for. I sought students who might not normally attend an information session, but could be great candidates for Fulbright if only they could start envisioning the program as a possible opportunity. I also worked to correct misperceptions of why we had so few prior recipients — not because our students weren’t competitive, but because they weren’t aware of the opportunities or didn’t have history with the award that other campuses might have. I tried to help applicants envision themselves as being part of a cohort that could change that reality and provide an inspiring model to those that would come after them.

Some concrete approaches include:
• Establishing an on-campus review process with earlier pre-application elements, such as a low stakes intent to apply “deadline” or first draft “deadline” that encouraged prospective applicants to move through each of the stages in smaller, more manageable pieces.
• Tracking students that either had indicated some initial interest in Fulbright or who had worked with me on other awards, such as the Gilman International Scholarship, and then targeting them specifically, saying I thought they could be a good candidate for Fulbright.
• Helping students examine which particular Fulbright award was the right fit for the right reasons.
• Developing an on-campus review process that emphasized a supportive experience for students with a diverse committee of faculty and staff, many of whom were prior Fulbright alumni themselves or perhaps future Fulbright U.S. Scholar applicants.
• Conducting post-application assessments to measure students’ perspectives on how the process impacted key learning outcomes, then communicating those outcomes to the next round of prospective applicants: “Yes, Fulbright is competitive, but this will be a valuable process regardless of the outcome.”

We now find ourselves being recognized as a Top Producing Institution for the Fulbright U.S. Student Program. I attribute the work focusing on developing student self-efficacy in tandem with tangible advising practices and application procedures to have made a lasting impact. This all happened within a context of support from university leadership, a Nationally Competitive Scholarship Advisory Board, and an enthusiastic and engaged group of faculty, staff, and students campus-wide.

U.S. Fulbright

Interview with Fulbright Alumnus and Moonlight Producer Andrew Hevia (2015-2016, Hong Kong)

March 29, 2017

Andrew Hevia, 2015-2016, Hong Kong (Photo by Robert Scherle)

 

 

 

 

 

 

 

 

 

 

1. Can you tell us about working on Moonlight, and your involvement in making the film?

In 2007, I had just graduated from the Florida State University Film School and had moved to San Francisco. By coincidence, a group of Film School alums were in town making a micro budget feature – this turned out to be Moonlight writer-director Barry Jenkins’ debut feature, Medicine for Melancholy. Because of the alumni connection, I orbited that production and helped out whenever I could. I was an extra in the opening scene for example. That’s when I learned Barry was from Miami. It felt wrong to me that he was making a movie about San Francisco instead of Miami, so I made it my goal to change that.

Then, in 2010 or 2011, Tarell Alvin McCraney gave me a copy of his unfinished play In Moonlight Black Boys Look Blue—the story that eventually became Moonlight. I introduced him to Barry, gave Barry a copy of the play, and told him, “This might be the thing you make in Miami.” Time passed, Barry digested it and then the veteran producer Adele Romanski got wind of it, and she and Barry got Plan B and the distributor A24 involved. I had just won my Fulbright to Hong Kong and was set to leave in September, but Barry and Adele told me to delay the grant and offered me a role as co-producer. I’d been working to get Barry back to Miami for years and this was a project I cared deeply about so it was an easy and obvious yes.

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Fulbright Journalists Make an Impact: 10 Fulbright Alumni Reporting on Russia’s War Against Ukraine

March 16, 2022

The Fulbright Program has long supported journalism as a powerful means of cultural exchange. Fulbright journalists have been recognized with some of the highest honors across digital and traditional media and we proudly featured some of our prominent alumni, like Maria Ressa, during our Fulbright 75th Anniversary celebration in 2021. Journalists provide audiences with an opportunity to be part of events and places that cannot experience firsthand, connecting all of us in a complex and changing world. Thanks to their professionalism, integrity, and bravery, journalists replace myths and assumptions with facts, and help bridge divides that separate us.   

In digital, print, and broadcast media, Fulbright’s journalist alumni further the Program’s mission to strengthen democratic values and promote understanding among all people around the world. Below, meet some of our exceptional alumni who are keeping the world informed about the ongoing crisis in Ukraine.  

Jim Sciutto, 1993 U.S. Student to Hong Kong 
As CNN’s chief national security correspondent and co-anchor of CNN Newsroom, Jim Sciutto is leading CNN’s coverage from Ukraine and helping to shed light on the situation for millions of CNN viewers every night. He has authored several books, reported from 50 countries, and was the senior foreign correspondent for ABC News based in London. He also served as Chief of Staff and Senior Policy Advisor to U.S. Ambassador Gary Locke at the U.S. Embassy in Beijing, China. Stay up to date with his reporting on Ukraine through his Twitter. 

Man wearing body armor that has the word "Press" stamped across the front.
Terrell Jermaine Starr, 2009 U.S. Student to Ukraine Reporter Terrell Jermaine Starr is currently in Ukraine providing real-time updates and commentary from Kyiv and covering the developing refugee crisis at Ukraine’s border through national news outlets and on the ground via Twitter. He is the host and founder of Black Diplomats podcast and a regular contributor to Foreign Policy magazine, where he writes about Eastern European politics and the intersection of foreign policy and race. Follow his reporting on Twitter.


Misha Zelinsky, 2021 Visiting Scholar from Australia 
Financial Review journalist Misha Zelinsky is currently reporting on the ground from Ukraine about efforts citizens are making to protect the city of Kyiv. Misha is a lawyer, economist, and public policy expert with a Masters degree in Public Administration from the London School of Economics. He was recently awarded the Fulbright Professional Scholarship in Australian-U.S. Alliance Studies (ASUMIN Indo-Pacific Scholarship) funded by Australia’s Department of Foreign Affairs and Trade. Follow his reporting on Twitter. 


Nina Jankowicz, 2016 Fulbright Public Policy Fellow to Ukraine

An internationally recognized expert on disinformation and democratization, Nina Jankowicz has provided commentary on the conflict in Ukraine to radio, print, and broadcast media. During her Fulbright Public Policy Fellowship in 2016, Jankowicz advised Ukraine’s Ministry of Foreign Affairs, supporting strategic communications in the MFA’s Office of the Spokesperson.  Follow her commentary on Ukraine here and watch her speak on PBS NewsHour here on how Russia uses disinformation to justify their actions.


Valerie Kipnis, 2022 U.S. Student to Ukraine

Valerie Kipnis is a Russian-American writer, reporter, and documentary producer. Most recently, she was at VICE News, where she reported on climate change, reproductive rights, and the former Soviet Union. Prior to VICE News, she worked at or contributed to Coda Story, The Moscow Times, and NBC. Prior to beginning her Fulbright, she produced a powerful piece for VICE News which was filmed in Ukraine and features interviews with volunteer soldiers and Ukrainian refugees. Kipnis was selected to complete her Fulbright in Ukraine but is currently carrying out her project in Warsaw, Poland. 


Olga Boichak, 2014 Foreign Student from Ukraine

Olga Boichak is a lecturer in Digital Cultures at the University of Sydney in Australia. She has provided expert commentary to Bloomberg News, ABC Australia, and more about the cybersecurity aspects of the current conflict in Ukraine. Boichak earned a Master of Public Administration from Syracuse University through the Fulbright Program in 2014. Follow her commentary on Ukraine on Twitter.

Karen Attiah, 2008 U.S. Student to Ghana

Karen Attiah is a columnist and the former Global Opinions editor for the Washington Post. She won the George Polk Award for her writing about the murder of Jamal Khashoggi and was named Journalist of the Year by the National Association of Black Journalists. While on her Fulbright, she researched public political engagement in Ghana. Follow her on Twitter here and read her op-ed on Ukrainians in the United States here. 


Julia Ioffe, 2009 U.S. Student to Russia

Julia Ioffe is a founding partner and the Washington correspondent for Puck News, a journalist-owned media company. She is a veteran reporter on politics, and previously wrote for The Atlantic, The New Yorker, and Politico. Throughout the crisis happening in Ukraine, Ioffe has been commenting on the news daily on her Twitter and has also provided commentary on several media outlets, including CNN, MSNBC, PBS’s FRONTLINE, and The Late Show with Stephen Colbert. Follow her on Twitter here.


Samuel Charap, 2002 U.S. Student to Russia
Samuel Charap is a senior political scientist at the RAND Corporation and has contributed several articles to media publications on the ongoing Russian invasion of Ukraine, including the Financial Times and Foreign Policy. Throughout his career, he has written extensively on Ukraine and Russia, and has held several positions at think tanks and international organizations related to the region. His commentary and publications can be found here. 


Angela Stent, 2008 U.S. Scholar to Russia

Angela Stent is a foreign policy expert, particularly in the field of Russian foreign policy and U.S. and European relations with Russia. She is currently the director of the Center for Eurasian, Russian & East European Studies at Georgetown University and co-chairs the Brooking Institution’s Hewett Forum on Post-Soviet Affairs. She has spoken on the ongoing crisis in Ukraine and Russia’s motivations on outlets such as Amanpour and Company and NPR, among many others.

U.S. Fulbright

Ethiopic Manuscript Culture and Its European Analogues, By Sean Winslow, 2008-2009, Ethiopia

August 31, 2009

As a scholar of the development of book technology, I have spent a lot of time studying physical objects and wondering about the mindset craftsmen had while producing books in the Ancient and Medieval periods. Since the production of manuscript books in Europe died out centuries ago, it is impossible to ask the producers about their techniques. The tradition of manuscript production that exists (in a reduced state) in the Islamic world is different enough from the one practiced during historical Christendom to limit its utility for the study of traditional European bookmaking. That is why I was excited, during the course of my research, to discover that manuscript bookmaking still survives in the Christian highlands of Ethiopia; it was simply a matter of getting the time and funds to go.

My Fulbright research project, Ethiopic Manuscript Culture and Its European Analogues, documents the remaining craft and tradition of book production in Ethiopia, and applies that knowledge more broadly to the history of book production in Europe and the Mediterranean world. Ethiopia was isolated from the Muslim conquests until the 20th century. As a result, it maintains a largely 4th-5th century style of book production. Additionally, it served as a bridge between the Mediterranean and Arab worlds: the traditional Islamic codex (like the modern book format) is based upon a form learned from Ethiopia, so comparative codicology (the study of books as physical objects) in the two traditions could help shed light on historical innovations in book production.

Based upon my interviews, I have attempted to gain insight into the mindsets of traditionally trained scribes and parchmenters, even learning a bit about magic writing and scroll-production along the way! The interviews have taken me through a large swath of the country; from towns to the remote countryside, bringing me into contact with many interesting people, some of whom I have interviewed and photographed. There has also been a great synergy between my field research and photography.

I had to apply twice to be awarded a Fulbright grant, so my primary advice to applicants would be, “Be persistent.” The second time I applied, I spent a lot more time preparing by briefing my referees on the nature of the project and allowing more time for revising application documents. I think the time spent working on the application, the additional research and the language preparation I undertook all helped. I would encourage potential grantees to start early and to take their time during the application stage.

 

Marigeta (a type of priest) Birhanu decorates a leather cover on a modern printed book.

 

 

Kes (Priest) Fente writing on parchment: traditional scribes produce parchment books using their knee as a writing surface.

 

 

 

 

The hands of Marigeta Haile Selassie using a bamboo pen to write characters of the native syllabary (called ‘Fidel’) of the Ge’ez language used by the Ethiopian church.

 

 

 

Top photo: Sean Winslow taking advantage of dry season conditions to travel around Tigray, the Northern Province of Ethiopia; Sean’s research focuses on the technological development of the book. During his Fulbright project, Ethiopic Manuscript Culture and Its European Analogues, he interviewed Ethiopia’s last Christian scribes to gain insight into the mindsets of traditional book producers.