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Schuyler

U.S. Fulbright

Through ‘Racialeyes’: A Brazilian Perspective through Media and Storytelling

June 1, 2016
Mia Yamashiro and Laura Li

Mia Yamashiro (left), Laura Li (right), 2014-2015, Fulbright Teaching Assistants to Brazil, presenting at the Fulbright Mid-Year Seminar in São Paulo

When I decided to apply for a Fulbright U.S. Student grant, I chose Brazil, and in particular, Curitiba, because of its strong Asian-Brazilian community. I thought that my Japanese-Okinawan heritage and cultural background would be a way to connect with Curitibanos. Yet I quickly realized that instead of creating connections, it often made me feel isolated.

It was difficult adjusting to the racial climate of Brazil where, in stark contrast to the United States, people are not very sensitized to race issues. For example, people pulled their eyes at me as a way to tease me or establish familiarity with me, like, “You’re Japa,right?” (pulls eyes). People asked Laura, who is Chinese-American, if she was my sister. Men on the street cat called me, yelling “Japa!” and touched my hair.

So Laura and I decided to give voice to these racial issues by creating Racialeyes, a project dedicated to further understanding the Asian-Brazilian community in Curitiba, Paraná. Our project was born out of the desire to dispel harmful stereotypes and educate people about the diversity and richness of the Asian diaspora in Brazil. While eyes are often pulled back at us to mark us as “other,” this project seeks to re-appropriate our racialized eyes, diversify the dialogue about Asian-Brazilians, and make us question our instinct to mark different as “other.”

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U.S. Fulbright

Thracian Borderlands: A Year on Europe’s Doorstep

May 30, 2016
Theodore Charles

Theodore Charles, 2014-2015, Fulbright English Teaching Assistant to Turkey, doing some market shopping in Sinop

Tucked in the far Northwest corner of Turkey lies Edirne, a city that was once the capital of the Ottoman Empire. Thrace, a geographic area in southeastern Europe, has been fought over for thousands of years, changing hands as frequently as the meandering paths of the Meriç and Tunca rivers. In the early morning, mist rises off of the rivers at the city’s base, clambers over the worn stones of Ottoman bridges, and coats the wooden facades of centuries’ old homes with beads of water. Late into the evening, the rustle of broom makers working by lantern light can be heard, their meticulous weaving and binding ceaseless as the sun sets over the flowing water.

If you take the opportunity to wander the walking thoroughfares and streets that sit in the shadow of the majestic Selimiye Mosque, you will catch whiffs of savory meat cooking in sunflower oil. Edirne is Turkey’s unofficial capital of tava ciğer, or traditionally prepared fried liver. Every morning, dynasties of liver chefs carefully prepare the meat to maximize flavor and texture for the dozens of people that will line the streets around lunchtime, waiting up to an hour for the piping hot meat.

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U.S. Fulbright

Farewell!

May 26, 2016
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Shannon Foss, 2015-2015, Fulbright English Teaching Assistant to Romania

In partnership with Reach the World (RTW), the Fulbright U.S. Student Program is publishing a series of articles written by Fulbright English Teaching Assistants participating in Reach the World’s Traveler correspondents program, which through its interactive website, enriches the curriculum of elementary and secondary classrooms (primarily located in New York City but also nationwide) by connecting them to the experiences of volunteer Fulbright English Teaching Assistants (ETAs) and other world travelers who are currently studying and living abroad. 

The end of March marked the end of my sixth month as a Fulbright grantee in Romania, which means that I still have one month left to go. The funny thing is that even though I’ve been here six months, I still feel in many ways like I’m just starting to adjust. It constantly surprises me how many new things I learn, experience or realize every day. I meet new people, hear new stories and even find new things in the grocery store!

This experience so far has been more challenging and rewarding that I ever could have imagined. My classes are nothing like I thought they would be, and a lot of that is because I learned how to adapt to the environment. I tried certain things with my students, learned what worked and what didn’t, and made changes. My teaching is still not perfect. A lot of times I expect things to go one way and then something completely different happens. I have also faced problems I never would have expected, like having issues with my health. However, having to deal with them has made me a more confident person.

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U.S. Fulbright

Art and Understanding

May 24, 2016
Alex Anderson-1

Alex Anderson, 2014-2015, China, working on one of his ceramic sculptures in the studio

During my Fulbright U.S. Student Program grant, I spent 10-months at the China Academy of Art in Hangzhou, where I studied ink painting and was an artist-in-residence in the ceramics department. Considering art as a reflection of the interior world of its maker, it allowed for a clear and genuine lens into the specific interests, psychologies, and motivations of the people in my studio during this period. Prior to my time in China, I had not considered art as a tool for cultural exchange, but the questions that sourced from discussions of each person’s work often moved from the work itself to considerations of its place in contemporary art in China, America, and beyond.

People seemed to view my work and me as equally viable specimens for inspection of what it means to be an American and what American art looks like. There was an interest in the way work was rendered, comments surrounding its content, and discussions of its aesthetic that ultimately led to dialogues about what it means to be an American and the fact that there is no universal definition, as America is an immigrant, hybrid nation. In this respect, art became my primary means of creating mutual understanding and serving as a cultural ambassador. The first question people would ask when they walked through the studio was, “Who made this?” followed by “Where is he from?” These questions opened up spaces for further dialogue around the intersection of Chinese and American art, and sometimes led to discussions of the intersection of China and America.

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U.S. Fulbright

Playtime in Port Elizabeth

May 20, 2016
Thalia Patrinos-1

Thalia Patrinos, 2015-2016, Fulbright English Teaching Assistant to South Africa, with her incredibly entertaining Circle of Life team leaders, including Duncan, Mishka, Pieter, and Danny

By day, I am a Fulbright English Teaching Assistant at Paterson High School in Port Elizabeth, South Africa.

By night, I am a hula hoop teacher, circus performer, and fire dancer.

My hobbies may seem eccentric, but they offer opportunities for endless exploration, healthy exercise, and incredible cultural connections with students and audience members.

I began the journey into circus arts during my first year of college six years ago, and I have never looked back. My side career in the teaching and performance of fire and flow arts have taken me to festivals in Hungary, theaters in New York City, and classrooms here in South Africa.

We all need a little bit of playtime in our lives, whether we are children or adults. We need to be encouraged to have fun, let loose, and get lost in something, and all it takes is something as simple as a hula hoop to get us there sometimes.

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U.S. Fulbright

Conversations on Tolerance and Equality: Living and Learning in Tajikistan

May 16, 2016
Chane Corp, 2014-2015, Fulbright ETA to Tajikistan

Chane Corp, 2014-2015, Fulbright English Teaching Assistant to Tajikistan, celebrating World Earth Day by volunteering in Khorog City Park with students from various students from different American Corners’ clubs.

As a member of the LGBTQ+ community, I knew there would be stigma surrounding this group in Tajikistan. While on my 10-month grant, I wanted nothing more than to be a personal advocate for tolerance; however, while studying and teaching in Kyrgyzstan, I developed an appreciation for keeping this personal information private. At various times, I have been told that this sort of discretion is not being true to who I am – but I disagree. Immersing yourself in another culture necessitates a sincere respect for local norms and opinions; being a successful cultural ambassador means finding the common ground that will allow you to be a productive, valued, member of your host community. Being a Fulbright grantee means you represent more than your own opinion; it means you are larger than your own passions.

When discussing sensitive issues abroad, my focus was always on the singular issue of tolerance. I sought to have difficult conversations with my students – ones that challenged not only their views, but also my own. When the racially charged unrest in Ferguson, Missouri hit its peak in November, 2014, the Russian news media (which is by far better funded and more chic than local Tajik outlets) devoted significant resources to covering the tension. Every night, nightly news would show dramatic footage of rioting and more than a few of my students genuinely believed that America, as a country, was on the verge of collapse. As dramatized as the Russian version of events were, this depiction offered a valuable opportunity for a frank and honest discussion about social issues in America and, indeed, around the world.

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