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U.S. Fulbright

Fulbright U.S. Student Alumna and Author Deanna Fei (2003-2004, China) Shares How Her Book Girl in Glass Evolved and Offers Advice for Prospective Applicants

November 11, 2016
deanna-fei-1

Deanna Fei, 2003-2004, China

Can you tell us about Girl in Glass, and how that book came about?

GIRL IN GLASS is the story of my daughter’s birth, nearly four months premature–and how I learned to be the mother of a child I knew I could lose at any moment. The book also explores, in a larger societal context, what it means to sustain a life: from the front lines of neonatal intensive care units to the perils of the American health care system to the force of a child’s will to live.

For a long time, I was so steeped in the trauma surrounding my daughter’s arrival that I couldn’t imagine ever telling this story. Then, a year after I brought her home from the hospital, the CEO of my husband’s company publicly blamed her for being a drag on the bottom line and slapped a price tag on her life, setting off a national firestorm. It was only then, as the circumstances of her birth became the subject of countless headlines, that I realized I needed to speak out to defend the basic worth of her life.

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Fulbright Journalists Make an Impact: 10 Fulbright Alumni Reporting on Russia’s War Against Ukraine

March 16, 2022

The Fulbright Program has long supported journalism as a powerful means of cultural exchange. Fulbright journalists have been recognized with some of the highest honors across digital and traditional media and we proudly featured some of our prominent alumni, like Maria Ressa, during our Fulbright 75th Anniversary celebration in 2021. Journalists provide audiences with an opportunity to be part of events and places that cannot experience firsthand, connecting all of us in a complex and changing world. Thanks to their professionalism, integrity, and bravery, journalists replace myths and assumptions with facts, and help bridge divides that separate us.   

In digital, print, and broadcast media, Fulbright’s journalist alumni further the Program’s mission to strengthen democratic values and promote understanding among all people around the world. Below, meet some of our exceptional alumni who are keeping the world informed about the ongoing crisis in Ukraine.  

Jim Sciutto, 1993 U.S. Student to Hong Kong 
As CNN’s chief national security correspondent and co-anchor of CNN Newsroom, Jim Sciutto is leading CNN’s coverage from Ukraine and helping to shed light on the situation for millions of CNN viewers every night. He has authored several books, reported from 50 countries, and was the senior foreign correspondent for ABC News based in London. He also served as Chief of Staff and Senior Policy Advisor to U.S. Ambassador Gary Locke at the U.S. Embassy in Beijing, China. Stay up to date with his reporting on Ukraine through his Twitter. 

Man wearing body armor that has the word "Press" stamped across the front.
Terrell Jermaine Starr, 2009 U.S. Student to Ukraine Reporter Terrell Jermaine Starr is currently in Ukraine providing real-time updates and commentary from Kyiv and covering the developing refugee crisis at Ukraine’s border through national news outlets and on the ground via Twitter. He is the host and founder of Black Diplomats podcast and a regular contributor to Foreign Policy magazine, where he writes about Eastern European politics and the intersection of foreign policy and race. Follow his reporting on Twitter.


Misha Zelinsky, 2021 Visiting Scholar from Australia 
Financial Review journalist Misha Zelinsky is currently reporting on the ground from Ukraine about efforts citizens are making to protect the city of Kyiv. Misha is a lawyer, economist, and public policy expert with a Masters degree in Public Administration from the London School of Economics. He was recently awarded the Fulbright Professional Scholarship in Australian-U.S. Alliance Studies (ASUMIN Indo-Pacific Scholarship) funded by Australia’s Department of Foreign Affairs and Trade. Follow his reporting on Twitter. 


Nina Jankowicz, 2016 Fulbright Public Policy Fellow to Ukraine

An internationally recognized expert on disinformation and democratization, Nina Jankowicz has provided commentary on the conflict in Ukraine to radio, print, and broadcast media. During her Fulbright Public Policy Fellowship in 2016, Jankowicz advised Ukraine’s Ministry of Foreign Affairs, supporting strategic communications in the MFA’s Office of the Spokesperson.  Follow her commentary on Ukraine here and watch her speak on PBS NewsHour here on how Russia uses disinformation to justify their actions.


Valerie Kipnis, 2022 U.S. Student to Ukraine

Valerie Kipnis is a Russian-American writer, reporter, and documentary producer. Most recently, she was at VICE News, where she reported on climate change, reproductive rights, and the former Soviet Union. Prior to VICE News, she worked at or contributed to Coda Story, The Moscow Times, and NBC. Prior to beginning her Fulbright, she produced a powerful piece for VICE News which was filmed in Ukraine and features interviews with volunteer soldiers and Ukrainian refugees. Kipnis was selected to complete her Fulbright in Ukraine but is currently carrying out her project in Warsaw, Poland. 


Olga Boichak, 2014 Foreign Student from Ukraine

Olga Boichak is a lecturer in Digital Cultures at the University of Sydney in Australia. She has provided expert commentary to Bloomberg News, ABC Australia, and more about the cybersecurity aspects of the current conflict in Ukraine. Boichak earned a Master of Public Administration from Syracuse University through the Fulbright Program in 2014. Follow her commentary on Ukraine on Twitter.

Karen Attiah, 2008 U.S. Student to Ghana

Karen Attiah is a columnist and the former Global Opinions editor for the Washington Post. She won the George Polk Award for her writing about the murder of Jamal Khashoggi and was named Journalist of the Year by the National Association of Black Journalists. While on her Fulbright, she researched public political engagement in Ghana. Follow her on Twitter here and read her op-ed on Ukrainians in the United States here. 


Julia Ioffe, 2009 U.S. Student to Russia

Julia Ioffe is a founding partner and the Washington correspondent for Puck News, a journalist-owned media company. She is a veteran reporter on politics, and previously wrote for The Atlantic, The New Yorker, and Politico. Throughout the crisis happening in Ukraine, Ioffe has been commenting on the news daily on her Twitter and has also provided commentary on several media outlets, including CNN, MSNBC, PBS’s FRONTLINE, and The Late Show with Stephen Colbert. Follow her on Twitter here.


Samuel Charap, 2002 U.S. Student to Russia
Samuel Charap is a senior political scientist at the RAND Corporation and has contributed several articles to media publications on the ongoing Russian invasion of Ukraine, including the Financial Times and Foreign Policy. Throughout his career, he has written extensively on Ukraine and Russia, and has held several positions at think tanks and international organizations related to the region. His commentary and publications can be found here. 


Angela Stent, 2008 U.S. Scholar to Russia

Angela Stent is a foreign policy expert, particularly in the field of Russian foreign policy and U.S. and European relations with Russia. She is currently the director of the Center for Eurasian, Russian & East European Studies at Georgetown University and co-chairs the Brooking Institution’s Hewett Forum on Post-Soviet Affairs. She has spoken on the ongoing crisis in Ukraine and Russia’s motivations on outlets such as Amanpour and Company and NPR, among many others.

Fulbright-National Geographic U.S. Fulbright

Telling Your Story: 5 Tips and Tricks from a Fulbright-National Geographic Storyteller

September 29, 2021

Katie Thornton recording for her Fulbright podcast in a cemetery in the United Kingdom.

One connection at a time, Fulbright brings people closer together and moves nations closer to a more peaceful world. What better way to build connections at home and abroad than through creatively telling your Fulbright story?

To get your project started, we’ve asked Katie Thornton, an award-winning multimedia journalist and Fulbright-National Geographic Storyteller, to provide tips on crafting the perfect storytelling project through audio, visual, or written formats.

Katie, who finds the most thought-provoking stories in the least expected places, most recently authored A Brief History of Women in Bars: A Minnesota Story in Three Rounds, an audio document that looks at how the state’s temperance movement set the stage for its women’s suffrage movement. For her Fulbright-National Geographic Storytelling Fellowship, Katie traveled to the United Kingdom and Singapore to produce Death in the Digital Age, a podcast exploring the relevance of cemeteries in an era when land is strained, communities are physically distant, and digital documentation is pervasive.

We hope Katie’s insights help you produce the perfect Fulbright reflection.

1. The most important thing is to just start.

Starting a creative project can be intimidating, but perhaps the hardest part is getting started. The most important thing you can do is to begin–to take your idea and give it life.

Ask yourself: what skills and knowledge do I need to gain before I can turn this idea into a reality? Do I need to educate yourself on a topic? Learn how to edit audio? Make a list, and start checking things off.

Katie Thornton works at her home studio on podcast projects.

2. Use online tutorials to help get the best quality product.

One of the reasons I care so much about audio is because it is an accessible medium–both to produce and to consume. At one point during my Fulbright, I didn’t have access to a studio, and I recorded an NPR story under a sheet in my bedroom. My home “studio” is my closet.

There are tons of ways to use the materials and devices you already have–like pillows, blankets, and your phone–to get good quality audio. There are also a lot of great free and cheap editing programs. Turn to the internet for tips!

Katie Thornton recording in the studio.

3. Listen, gather, and compile.

Listen carefully to the sounds around you, and to a variety of podcasts and audio media. How do different podcasts bring in music and ambient sounds (like cars honking, leaves crunching, birds chirping, people chanting, etc.) to set the scene?

Start recording the sounds that define your daily life and surroundings. Record your thoughts throughout the day, and try putting together a brief audio diary that describes it. Ask a friend or two to do the same, share your pieces, and have a Zoom chat about your audio diaries. You can also try this with writing, painting, or any other creative pursuit.

Katie Thornton (right) working on her audio project in a Singaporean cemetery on 清明節 (Qingming Jie, “Tomb-Sweeping Day”).

4. Be realistic.

Completing a project, like a podcast, can take time. Make a portion of your project (e.g. a few episodes or articles) before you commit to an ambitious publishing schedule. Take into account any logistical challenges you may encounter, including: faulty internet connections, weather conditions, your schedule, etc.

Katie Thornton (left) completes an interview while observing social distancing protocols.

5. Give people a reason to care, seek feedback, and put it out there!

There are very, very few pieces of media that appeal to a target audience of “anyone and everyone.” Think about who your work is for, and why you hope it will resonate with them. If you’re sharing stories or opinions that don’t come from personal experience, be sure to involve, listen to, learn from, and get feedback from people directly involved.

In general, seek lots of feedback. You may be surprised at just how many people–even strangers–are willing to listen/read your work and offer feedback! Allow people to give both general feedback and ask them specific questions about your work.

And then, start sharing! Use tools where you already have a presence–in community groups, via social media, etc. Good luck, and have fun!

Are you an educator looking for ways to use storytelling in your classroom or are you looking for more training to help you with audio storytelling? Click here to view the “Storytelling for Impact in your Classroom: Audio” course, a self-paced, free, online, video-based course designed by Katie in partnership with the National Geographic Society.

Katie Thornton (right) working in the field.

U.S. Fulbright

Back to School: What You Should Know About Securing a Letter of Affiliation

July 12, 2021

By Fulbright Program Staff

Congratulations on deciding to further your education abroad by undertaking an independent research project or graduate degree through the Fulbright U.S. Student Program! You’ve confirmed your eligibility, determined your host country, and selected an award. Now what?

In this post, we will explain how to successfully navigate an important portion of the application process: securing a letter of affiliation from your prospective host institution. As the primary location for your Fulbright experience, successfully engaging a host institution and adviser is critical to your application’s success. Read on to learn how to secure your letter of affiliation:

 

Study/Research Award

The Study/Research Award allows young professionals to design an independent research project, working with advisers at foreign universities and institutions in approximately 140 countries. In general, this award requires a letter of affiliation with the prospective institution.

What is a Letter of Affiliation?

A letter of affiliation outlines a host institution’s support of your proposed Fulbright project. A letter should come from an individual or team at an institution with whom you will be working closely during your Fulbright.

  • Examples of affiliations include universities, laboratories, libraries, archives, non-governmental organizations, etc.

Letters should be appropriate for your proposed project, and the letter writer should demonstrate a clear understanding of your work, outlining how the host institution will support the applicant and project.

Letter of Affiliation Requirements

All affiliation letters are:

  • Dependent on country and award: Check the host country and award pages for the most up-to-date criteria.
  • Printed on institutional letterhead: Make sure it has a signature from the appropriate contact!
  • Not confidential: Applicants receive the letter and upload it into the online application prior to the national deadline.

An applicant may include up to three letters of affiliation if the letters are appropriate and necessary to their project. Adding unfocused letters may confuse application reviewers and distract from your application. For a comprehensive look at affiliation requirements, view the Application Components page and recorded Affiliation webinar.

 

Graduate Degree Grants

The Study/Research Award also includes the “Fulbright Graduate Degree Grants” subtype, which funds study at an affiliated foreign institution or degree program.

What is a letter of affiliation for graduate degree grants?

For applicants pursuing a graduate degree:

  • Your letter of affiliation is the official acceptance letter proving admission into the graduate degree program. This not typically required at the time of the application. All candidates should review their award page for more information.
  • Even if the Fulbright award does not require an official letter of acceptance by the Fulbright application deadline, all candidates are encouraged to reach out to their proposed adviser or department chair to inquire about receiving a letter of support prior to admission decisions, which may be uploaded into the application.

Chiamaka Ukachukwu, 2017 Fulbright U.S. Student to Belgium, celebrating International Day of Women and Girls in Science with her fellow lab mates in the Jean-François Collet Lab, Institut de Duve.

Tips and Best Practices

A few final pointers for a smooth affiliation process:

  1. Start early! This simple-but-crucial step will give you time to brainstorm, draft, revise, solicit feedback, contact potential host advisers, and everything else that goes into a compelling Fulbright application.
    • “Start your search as early as possible, it will be really helpful. I emailed 15-20 professors at different universities in order to find my affiliation!” Isra Hussain, 2018 Fulbright U.S. Student to Austria and 2020 Fulbright Alumni Ambassador
  2. Review the academic literature. Looking into topics and authors within your academic discipline is a great way to acquire more knowledge, better understand your Fulbright project, and determine which professionals may be a resource to you.
    • “I spent a lot of time researching the background of these professors that had responded and reviewing their own research” – Isra Hussain, 2018 Fulbright U.S. Student to Austria and 2020 Fulbright Alumni Ambassador
  3. Utilize personal and professional networks. While the idea of creating an independent research project or graduate school application is daunting, your networks are here to help. On campus, reach out to faculty members, a reference librarian, and your Fulbright Program Adviser; off campus, get in touch with your professional and personal connections, Fulbright Alumni Ambassadors, former Fulbright U.S. Students and U.S. Scholars, and the Fulbright Association.
    • “Tapping into your network is really important. Faculty network and faculty relations are a great place to tap into.” – Kurt Davies, Fulbright Program Adviser and Director of Global Awards at New York University
  4. Be flexible. Your patience and flexibility throughout the application process will help both you and your potential affiliate perform your best. Be sure to:
    • Meet your host institution where they are, and adjust the scope of your project based on the resources available. Be prepared to share a basic overview of your proposed research/study project when contacting potential affiliates.
    • Conduct yourself professionally and use a clear, positive tone.
    • Explain the Fulbright Program, including Fulbright’s funding and grant benefits, which prevent financial obligation from the institution.
      • “Open the conversation with a sense of what can I give to your organization, how can I contribute to your ongoing research.” – Kurt Davies, Fulbright Program Adviser and Director of Global Awards at New York University
  5. Cast a wide net. Finding a host affiliation takes time, so pursue multiple leads and ideas until you find the right institution and adviser.

We hope this article provides clarity into letters of affiliation, and helps you create the best application you can. Start early, do your research, and don’t give up. You can do it!

2019 Fulbright Austria participants at the TU Ball at the Hofburg Imperial Palace.

Fulbright-National Geographic U.S. Fulbright

Exploring the Extraordinary in Your Ordinary

May 29, 2020

By Emi Koch, Fulbright-National Geographic Storytelling Fellow to Vietnam, 2019-2020

My dad almost spit out his morning coffee. Puzzled, he cleared his throat.

“Em, are you… sure?”

It was June of last year and I was only thinking to apply for a Fulbright.

“It’s just a thought! I’m just looking into it.”

My words rushed together, the way they do when I get overly excited — which happens a lot. I have ADHD.

He cautiously took a second sip of coffee.

“I mean — isn’t a Fulbright really competitive? Like for people who… you know?“

I knew who he meant. The smart people. Valedictorians. Meredith, who took AP Physics in high school.

Acknowledging his question, I glanced back at my laptop with the Getting Started page on the Fulbright Student Program website staring brightly back at me. The thought that the U.S. State Department would pay me — me! — to travel to a foreign country and devote nine months of my life to collaborating with local residents with a shared curiosity for actionable, positive change seemed beyond my wildest dreams. But the only thing that seemed more impossible than me winning a Fulbright, was me not applying.

I knew my dad’s apprehension was well-informed by my past struggles and letdowns involving my grades, where I had to prove to others that I was capable and yes, even smart…just not in the conventional way.

A few years ago, I was diagnosed with Dyslexia (a learning disability in reading), Dyscalculia (a learning disability in math), and Attention Deficit Hyperactivity Disorder (ADHD) that comes with a mean stutter  when public speaking. I was a sophomore in college, and up until that point in my life, I had simply believed that I was slow.

The first time I noticed it, I was five. While I was surrounded by my classmates stretching their hands high up in the air and shouting, “Me! ME!” so that the teacher might call on them first to reveal the coveted, correct answer to the subtraction problem, my hands were clenched tightly around the desk as if we were all about to blast off into the deep, dark unknown forever. I had no idea what was going on… only that so much was going on. Contrary to popular belief, people with ADHD don’t have trouble concentrating. We simply concentrate on everything all at once. The math problem, the other students, the staple shining on the floor and that weird pencil mark on the desk that looks like an acorn are all equally begging for our attention.

In school, this restlessness and attention to peripheral details presented a huge challenge that often resulted in poor grades, dismal SAT scores, and low self-esteem. Surfing was my escape. Sliding down the face of a wave, I knew exactly where I was — physically, mentally, and yes, even spiritually. Unlike the classroom, the ocean was this dynamic force that required my absolute, divided attention — to everything all at once. For the first time, my disabilities were capabilities; misfits that found themselves useful. Mystifying still, the ocean was what ultimately ushered me back into the classroom.

I’m a social-ecologist, meaning I study the relationships people have with our built and natural environment. My focus is on the world’s millions of miles of coastlines and the many isolated, marginalized fishing communities that depend on ever-depleting marine resources. I’ve come to realize that my disabilities are like superpowers — if harnessed properly, they enable me to explore nuances — whether of a physical space, a word in a foreign language, or a feedback loop in a marine social-ecological system. These overlooked subtleties are where the problems hide… those details researchers seek in order to solve problems. In that ability to spot those details lies the ability to find the extraordinary in the ordinary.

Almost one year after being awarded a Fulbright-National Geographic Storytelling Fellowship to Vietnam, I’m still pinching myself that it really happened. My dad spit out his coffee for a second time when I told him the remarkable news.

Before I arrived, people described Vietnam to me as overwhelming. If by that they meant overwhelmingly beautiful, industrialized, and karaoke-curious, I understand. During my time there, I immersed myself in a small-scale fishing community with a rapidly-developing tourism scene and rising sea level just north of Ho Chi Minh City. I lived in the back of a water sports center called MANTA. MANTA trains fishermen to become certified sailing instructors so that they can teach tourists how to sail, and how to use the power of wind energy as an alternative to fossil fuels. MANTA also provides fishermen with an alternative source of income, though this doesn’t mean that the fishermen stop fishing – that’s in their blood.

Since I lived inside a water sports center, I was fortunate to have stand-up paddle boards at my disposal. They were my go-to mode of transportation and earned me credibility among the fishermen for maneuvering my own water craft. I paddled out to sea and met them at their boats for interviews. Sometimes, they invited me on board for breakfast, and we would help ourselves to buckets of freshly-caught soft shell blue crabs, cracking open the not-so-soft shells with our teeth and slurping up the honeyed insides.

In my research, I listened to fishermen’s stories and explored the social and ecological impacts of low fish availability on the human security of ocean-dependent villages along the East Sea. Back on land, my colleagues included several children, ages four to sixteen — the sons and daughters of local fishing families. These kids accompanied me with waterproof cameras to document their lives. Despite the innumerable dissimilarities between my childhood and their own, I can’t help but identify with some aspects. These kids are smart. They are resourceful. I think they’re incredible. But many of them have been told they are not something enough to be successful, or they are too something to have real authority.

I wanted to wash all that social conditioning from their minds and tell them they are powerful. You, kid, are the superhero of your own life story. Our disadvantages, disabilities, discriminations, and disappointments do not define us, because we have the human right to make up our own definitions.

My research team and I explored the extraordinary in the ordinary. They helped me capture nuances in their images that are often unaccounted for in academic papers and news stories. As one fisherman said, the projects we did together were an opportunity for everyone to “big themselves up”… and that’s what Fulbright has meant for me.