Browsing Category

Unknown

U.S. Fulbright Unknown

How Do You Teach and Learn Diplomacy? By Linnette Franco, 2009-2010, Fulbright English Teaching Assistant to Spain

May 23, 2012

As a Fulbright English Teaching Assistant (ETA) in Madrid, Spain, I worked with over 120 students in a citywide bilingual program. The highlight of my year was working with 14- and 15-year-olds in the Global Classrooms program for Fulbright ETAs to Spain. In 10 Madrid high schools, Fulbright ETAs helped to prepare students for an annual Model United Nations conference. Actively participating in a Model U.N. conference is a rigorous endeavor for any high school student, but even more so when they are expected to participate in another language. I adored my students, but they succeeded in proving every cliché about high schoolers true; they often complained, whined and put more effort into not doing work than doing it. They didn’t want to participate in an extracurricular activity involving more research, writing, or public speaking in English. My students were very opinionated about their hesitation and initial dislike of preparing for the conference.

I myself was ready to take on the challenge of developing and strengthening my students’ skills. As Fulbright ETAs, doing this would be an easy enough task compared to providing our students with the more abstract lesson required for them to be successful at the conference: we had to enhance our students’ understanding of the importance of diplomacy. We had to find ways to help them recognize the value in promoting thoughtful conversations and effective relationships. Our students had to think more outside of their classrooms, school, neighborhood, city and country, in order to understand better that actions and relationships overseas can have an impact on them. I had to teach my students an abstract concept that I myself was actively experiencing and reflecting on during my Fulbright grant.

When you are a Fulbright ETA, you always have to be “on,” readily available to answer any question or assuage concerns your students, new peers, neighbors and friends may have. As an American abroad, you can become the be-all and end-all resource for everything American, but you will want to avoid proving every cliché about Americans true. You must be available to answer many questions about the United States, sometimes whether you like it or not, and this can be a real learning experience. At the end of the school day, you can leave your Fulbright ETA self at your assigned school, but you can never leave your American self. As Fulbrighters, we become educators to everyone we meet, not just our students. We inform others about the United States. We can dispel myths and correct misinformation while making a temporary new home for ourselves in our host countries. 

Sometimes, you will have a great desire to answer questions and explain American laws, politics, customs, or food.  Other times, the discomfort generated by questions about the U.S. is so palpable you almost wish you didn’t have to speak for the whole country. Therein lays the beautiful and positive dilemma of being a Fulbright ETA. How one handles those sometimes uncomfortable conversations with grace and tact can make for a successful Fulbright experience.  But it is not until you are a Fulbrighter abroad that you really get an in-depth understanding of how to manage these kinds of conversations. Having experiences in which you have to speak for a culture and country is how we truly learn diplomacy, and, also how we can teach it. When you are “the foreigner” to others and they are “the foreigner” to you, you are compelled to communicate and find things that will help you to connect with others. This is what my students had to do during the Model U.N. conference and what I had to do each day as a Fulbrighter in Spain.

After weeks of researching, writing and debating, my students ended up thoroughly enjoying themselves at the Model U.N. conference. The conference flowed naturally, and they met other bilingual students and formed new friendships. They garnered the confidence to speak about their assigned country with assurance and listened actively when questioned about its policies. They were graceful and exercised tact, and had learned that seeking to foster mutual understanding is an accomplishment in and of itself. I had learned the very same.

My advice to prospective applicants is to seek out opportunities that involve working with diverse groups of people. Whether it is through internships or community service, it is important to place yourself in settings that will encourage engaging in all kinds of conversations and events. Take time to reflect on how you might navigate your way through tough conversations during your grant. Be ready to dispel myths about Americans that may make you giggle, frown or feel surprised. If you have reflected and are eager to pursue a Fulbright grant, then be prepared for one of the most amazing experiences of your life.

Photo: Linnette Franco, 2009-2010, English Teaching Assistant to Spain, helping her students interpret a popular American rap song during one of her English classes (photo courtesy of Jermil Sadler)

Unknown

Fulbright is at SXSW through March 15!

March 10, 2012

Whether you're a Fulbright alum, student, musician, flimmaker – or all four – stop by the Fulbright Program's trade show exhibition at SXSW from March 12-15 (stand 930) to learn more about grant opportunities.

The Fulbright Program increases mutual understanding between the people of the United States and the people of other countries.  It supports individuals in all fields to undertake innovative projects, while also enabling participants to become cultural ambassadors from their countries.

Projects can include study, field research and teaching (at all levels). For example, Fulbrighters have:

– Developed devices to detect cancer by scent
– Used music to help children with HIV create a supportive community
– Studied new painting techniques
– Developed key new economic theories
– Taught Arabic to U.S. college students
– And over 300,000 other projects in more than 150 countries

The Fulbright Program is sponsored by U.S. Department of State, Bureau of Educational and Cultural Affairs. For more information, visit: http://fulbright.state.gov/.

Unknown

Attending SXSW? Learn how the Fulbright Program is the first social network.

March 6, 2012

This Sunday, March 11 in Austin, Texas, the Fulbright Program will present a panel within the very popular SXSW Interactive track entitled “Fulbright: How the 1st Social Network Adapts to Social Media.”  The panel will be moderated by Meg Neff, Public Affairs Assistant, Bureau of Educational and Cultural Affairs, U.S. Department of State, Vijay Renganathan, Senior Program Officer, the Institute of International Education, Doug Mitchell, Fulbright Scholar Specialist to Chile and Katie Day Good, Fulbright-mtvU Student to Mexico, 2008-2009, as panelists.  To learn more, please visit the SXSW schedule of events.

Like last year, the Fulbright Student and Scholar Programs will be represented by a booth during the tradeshow from March 12-15.  We hope you will stop by and learn more about Fulbright’s involvement in SXSW!

U.S. Fulbright Unknown

Seeing Through the Mirror, By Liz Lance, 2008-2009, Nepal

December 21, 2011

After visiting Nepal periodically since studying abroad there as an undergraduate, I returned on a Fulbright grant to work on a documentary photography project on beauty and body image in young women. I spent the next ten months interviewing and photographing my subjects, and although I worked independently, I still benefitted from a support network for encouragement and inspiration. Not long after returning to Nepal in September 2008, I began hearing about photo.circle—a community of photographers and photography enthusiasts, Nepali and bideshi or foreigners, that met monthly for photography viewings and discussion. In short order, I spent the first of what was to be many Saturday mornings in the company of a dynamic group of primarily young Nepalis who were engaged in multimedia storytelling and other creative pursuits.

The connections I made through photo.circle helped propel my work in fascinating directions throughout my Fulbright year. I traveled with Kathmandu musicians to Palpa District in Western Nepal, where I spent a few days with a young woman who ran a beauty parlor. I visited Dhaka, Bangladesh, with a contingent of Nepali photographers for the biannual Chobi Mela International Photography Festival. I met another engaged group of creative storytellers at VENT! Magazine, and with them, I taught a two-day photojournalism workshop to about 15 Nepali photographers.

By the end of my grant year, when I had completed five multimedia stories on different women, I presented my work to the photo.circle community and engaged in a layered discussion on beauty and femininity with a packed house of Kathmanduites. Photo.circle was all that I was looking for and more: not only a supportive and inspirational community, but also a series of open doors that facilitated the growth of my project in unexpected and fulfilling ways. Beyond the scope of my work, photo.circle also introduced me to a number of Nepalis who would come to be great friends.  I even helped introduce two friends who will marry in the coming year!

In all of this immersion into the community of Kathmandu artists, I began to think less and less of myself as an American among Nepalis, and more as photographer among other photographers. But I think the impetus for that was as much a reflection of how I was being treated by my Nepali friends and colleagues as it was how I felt about living in Nepal on my Fulbright grant. My Nepali slang had sharpened enough that I no longer needed constant translation for their colloquial shorthand, my Nepali friends were passing around the same viral YouTube videos that my friends back home would send me, and we were all updating our statuses and posting photos on Facebook (when not suffering from Kathmandu’s crippling rolling blackouts). Though we came from vastly different cultural upbringings, we looked to the same sources for creative inspiration and “geeked out” in eerily similar ways over technical achievements in Photoshop and FinalCutPro. As is often the lesson in cultural exchange, we were more alike than we were different (though they had decidedly better food).

Over a year earlier, back home in San Francisco, I spent three months researching and honing my Fulbright proposal; foregrounding the issue––beauty and body image––I was examining and stressing the contribution I would make to their domestic and international understanding. Though I will never know the specific reasons why I was awarded a Fulbright grant, I think one of my proposal’s strengths was the public nature of my proposed work. A journalistic project naturally lends itself well to projecting an issue into the public discourse that allows for meaningful cultural exchange.  And while every project need not become journalistic, nor every journalistic project be funded, an application that includes a specific and organic avenue for sharing it with your community at home and abroad is likely to appear stronger. I was also able to craft a successful proposal because of my friends’ input. I sent a draft around to four or five people who gave me very specific feedback.  I was able to incorporate their suggestions, such as restricting my project proposal to elements that were reasonable to achieve in a ten-month period because I began working on my proposal so far ahead of the deadline.

As I reflect back on my Fulbright experience of almost two years ago, I realize the most rewarding aspect of it was how unexpected it was. When I was preparing my Fulbright application, I never imagined myself connecting to a creative community in the way I would end up doing largely because I didn’t know one existed. But by following a tip from a few friends, my Fulbright experience transcended my original two-page proposal in more ways than I could have imagined.

Photo: Liz Lance, 2008-2009, Nepal, interacts with students during a photojournalism workshop she taught with VENT! Magazine in June 2009

Questions for Liz about her Fulbright experinces?  Email her at LLance.AlumniAmbassador@fulbrightmail.org.

Unknown

UPDATE: Given that the technical issues with the Embark online application have not yet been resolved, the Fulbright U.S. Student Program is extending the application submission deadline to Tuesday, October 18, at 5:00 p.m. Eastern Time. We will continue posting updates here as we learn about the nature and extent of issues, as well as progress on fixing these issues. Note: The deadline for Foreign Language Evaluations (FLEs) and recommendations is still Wednesday, October 19, at 5:00 p.m. Eastern Time.

October 17, 2011