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U.S. Fulbright

Straddling the Gap: How Sharing Diverse Experiences and Interests Can Help You Become a Fulbright Cultural Ambassador, By Katie Walter, 2009-10, India

October 13, 2010

I am in the finishing stages of a Fulbright-Nehru grant that examines conservation initiatives in the pilgrimage town of Vrindavan, Uttar Pradesh, India. My research will offer insight into how to optimize public communication campaigns addressing conservation issues.

My journey has taken me from the narrow, medieval backstreets of traditional-minded Vrindavan, to the town’s mega temples, sprawling roads and luxury housing properties, to the office buildings and affluent areas of the capital city of Delhi. In each place, I have encountered varying degrees of concern over new development projects in Vrindavan: some critique them for helping to increase the number of visitors to the town while the basic infrastructural needs of local residents remain unmet; some believe that these haphazard development projects are a sign of well-deserved “progress;” while others still posit that they damage the town’s natural environment, which needs to be protected in the name of public health, local prosperity, religion and heritage.

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U.S. Fulbright

How I Obtained My Affiliation, By Katie Day Good, 2008-2009, Mexico

May 4, 2010

Since returning from my Fulbright-mtvU year in Mexico, my conversations with applicants have reminded me of just how daunted I was by the application process. Somewhere in Mexico – between playing in a mariachi band, staring in awe at Diego Rivera’s murals and exploring Aztec ruins – I managed to forget all of the hours I had spent researching project ideas, writing and scrapping drafts and revising my essays. One step in particular was so confusing that it nearly led me to crumple up those drafts and quit. How was I supposed to get a letter of support from a Mexican institution when I had never been there before? Although Fulbright English Teaching Assistants (or ETAs) are assigned their host institutions and don’t need to obtain affiliations, Fulbright-mtvU and Fulbright research or study applications require letters of affiliation.

Securing an affiliation is one of the hardest parts of completing a Fulbright application, but I think it’s meant to be that way. Your affiliation letter shows Fulbright reviewers that: (1) you have really thought your project through; (2) you’ve made contact with people in your desired host country; and (3) they have found your project feasible and worthwhile enough to write a letter in support of it. In a way, your affiliated institution is your “pre-screening committee.”

But don’t crumple up those drafts! Securing an affiliation actually turned out to be surprisingly easy. It just took a little bit of planning and patience. The process was so easy, in fact, that I decided to spring for two affiliations instead of one (since my project took place in two Mexican cities). Here’s how I found them:

1) Check out the Fulbright U.S. Student Program website for details on the affiliation requirements. Each country has its own requirements. In some places, you can affiliate with only universities or laboratories. In others, libraries, non-governmental organizations, artists, laboratories, conservatories, or writers are also o.k.

2) Don’t worry if you don’t know anyone in your host country. Many grantees don’t. There are other ways to find potential affiliations. Ask your professors. Google is your friend. Do a little detective work to find out who might take an interest in your research. Since I wanted to make audio documentaries about urban Mexican musicians, I emailed anthropologists and asked them for the names of Mexican ethnomusicologists and radio producers. Most academics in the U.S. and abroad are familiar with the Fulbright Program and are happy to help you. The Fulbright student and scholar directories are also helpful ways to find contacts in your proposed host country.

3) Have a well-defined project idea by the time you make contact. You don’t have to know all of your project’s details. After all, your confirmed affiliation might end up influencing where and what you study, but know enough to be able to make a good sales pitch.

4) Don’t wait for emails! Pick up the phone. A lot of great mentors are out there and willing to work with you, but many of them don’t have time or are not able to answer emails quickly. Instead, call them and introduce yourself. Acknowledge what you know about their work and make a cheery pitch for your project. In my case, after calling several institutions in search of my affiliation’s phone number, I finally reached him at his home. We wound up talking for an hour, and within a week, I had an express mailed letter with his warm endorsement and signature in my hands.

5) Once you’ve made contact, offer to send your affiliation a copy of your project statement (or rough outline) so they have all the details for writing their letter. It doesn’t have to be long and amazing, just a few clear sentences expressing support of you and your project. Ask that they write it on institutional letterhead.

6) Give yourself enough time to do steps 1-5 so that you can give your future mentor plenty of time to write and send your letter.

Once in Mexico, I found that every Fulbright grantee had a different relationship with their host affiliations. Some worked with them everyday; others, like me, met or emailed with them every few months. In my case, my mentors helped me find more contacts and resources in local musical circles. They kept me updated on events that were relevant to my project. Nothing was required of me on a regular basis, but it was up to me to steer my project. Whenever I needed my mentors’ help, all I had to do was ask.

Photo: Katie Day Good, 2008-2009, Mexico, with her mariachi teacher, Pedro Gutierrez, at the School of Mexican Music in Mexico City.

U.S. Fulbright

Applying to the Fulbright U.S. Student Program, By Katie Ladewski, 2005-2006, Chile

July 13, 2009

I was drawn to the Fulbright Program because I identified with the program’s character. I am an intellectual. I am a civic participant and volunteer. I am a student. I am a family member and a friend. I represent my university and my community wherever I go. I have a strong sense of who I am, and I realized that the Fulbright U.S. Student Program emphasized the values I hoped to cultivate.

There are a lot of exciting opportunities out there for recent graduates and budding intellectuals. We can apply for scholarships to study at top universities around the world. We can volunteer in places from South America to the South Pacific and everywhere in between. The Fulbright Program, however, captured my imagination with its promise of a unique combination of cultural exchange, community involvement, and intellectual growth. I’m sure all of the programs I considered would have been amazing opportunities, but the Fulbright Program’s goals reflected the kind of experience I hoped to have and the kind of person I aspired to be.

It also helped that the Fulbright Program had a thriving exchange program with Chile, a country in which I had a keen interest. I had studied abroad in Santiago and had written an undergraduate honors thesis on the Chilean education system. In the ten weeks I spent in Chile during my study abroad program in Santiago, I had thrown myself into life with my Chilean host family, my classes, and my research. But the time was too short, and I left feeling like I had so much more to give and to learn.

The Fulbright Program offered a unique opportunity for me to return to Chile and pursue a more in-depth research project while immersing myself in Chilean life. I had studied economics as an undergrad and had always been interested in education. Studying Chile’s education voucher system presented an exciting opportunity to merge these two interests. Because one of the most hotly debated issues in Chile is how to improve educational opportunities for vulnerable students around the country, I chose to focus on the inequality in educational resource distribution among students from different socioeconomic backgrounds. I spent three days a week doing quantitative research at a university and two days observing and volunteering in schools throughout Santiago, and later in my project, throughout Chile.

My research was a primary reason for my stay in Chile, but I was heartened to know that spending time with my host family, talking with students and teachers during my research project, volunteering with rural children, and competing on a swim team were all considered respectable and worthwhile. The Fulbright Program valued the parts of my experience I valued – everything.

The Fulbright Program is an intense commitment of time and energy. A successful experience requires hard work, perseverance, patience, flexibility, and a sense of humor. But it is also an experience that will help you evolve into the kind of intellectual, civic participant, volunteer, student, family member, friend and community ambassador you hope to become. If you’re anything like me, I can promise you that the Fulbright experience will change your life.

Photo: Katie Ladewski (right) with students in rural Chile, 2006.

Fulbright-National Geographic U.S. Fulbright

Telling Your Story: 5 Tips and Tricks from a Fulbright-National Geographic Storyteller

September 29, 2021

Katie Thornton recording for her Fulbright podcast in a cemetery in the United Kingdom.

One connection at a time, Fulbright brings people closer together and moves nations closer to a more peaceful world. What better way to build connections at home and abroad than through creatively telling your Fulbright story?

To get your project started, we’ve asked Katie Thornton, an award-winning multimedia journalist and Fulbright-National Geographic Storyteller, to provide tips on crafting the perfect storytelling project through audio, visual, or written formats.

Katie, who finds the most thought-provoking stories in the least expected places, most recently authored A Brief History of Women in Bars: A Minnesota Story in Three Rounds, an audio document that looks at how the state’s temperance movement set the stage for its women’s suffrage movement. For her Fulbright-National Geographic Storytelling Fellowship, Katie traveled to the United Kingdom and Singapore to produce Death in the Digital Age, a podcast exploring the relevance of cemeteries in an era when land is strained, communities are physically distant, and digital documentation is pervasive.

We hope Katie’s insights help you produce the perfect Fulbright reflection.

1. The most important thing is to just start.

Starting a creative project can be intimidating, but perhaps the hardest part is getting started. The most important thing you can do is to begin–to take your idea and give it life.

Ask yourself: what skills and knowledge do I need to gain before I can turn this idea into a reality? Do I need to educate yourself on a topic? Learn how to edit audio? Make a list, and start checking things off.

Katie Thornton works at her home studio on podcast projects.

2. Use online tutorials to help get the best quality product.

One of the reasons I care so much about audio is because it is an accessible medium–both to produce and to consume. At one point during my Fulbright, I didn’t have access to a studio, and I recorded an NPR story under a sheet in my bedroom. My home “studio” is my closet.

There are tons of ways to use the materials and devices you already have–like pillows, blankets, and your phone–to get good quality audio. There are also a lot of great free and cheap editing programs. Turn to the internet for tips!

Katie Thornton recording in the studio.

3. Listen, gather, and compile.

Listen carefully to the sounds around you, and to a variety of podcasts and audio media. How do different podcasts bring in music and ambient sounds (like cars honking, leaves crunching, birds chirping, people chanting, etc.) to set the scene?

Start recording the sounds that define your daily life and surroundings. Record your thoughts throughout the day, and try putting together a brief audio diary that describes it. Ask a friend or two to do the same, share your pieces, and have a Zoom chat about your audio diaries. You can also try this with writing, painting, or any other creative pursuit.

Katie Thornton (right) working on her audio project in a Singaporean cemetery on 清明節 (Qingming Jie, “Tomb-Sweeping Day”).

4. Be realistic.

Completing a project, like a podcast, can take time. Make a portion of your project (e.g. a few episodes or articles) before you commit to an ambitious publishing schedule. Take into account any logistical challenges you may encounter, including: faulty internet connections, weather conditions, your schedule, etc.

Katie Thornton (left) completes an interview while observing social distancing protocols.

5. Give people a reason to care, seek feedback, and put it out there!

There are very, very few pieces of media that appeal to a target audience of “anyone and everyone.” Think about who your work is for, and why you hope it will resonate with them. If you’re sharing stories or opinions that don’t come from personal experience, be sure to involve, listen to, learn from, and get feedback from people directly involved.

In general, seek lots of feedback. You may be surprised at just how many people–even strangers–are willing to listen/read your work and offer feedback! Allow people to give both general feedback and ask them specific questions about your work.

And then, start sharing! Use tools where you already have a presence–in community groups, via social media, etc. Good luck, and have fun!

Are you an educator looking for ways to use storytelling in your classroom or are you looking for more training to help you with audio storytelling? Click here to view the “Storytelling for Impact in your Classroom: Audio” course, a self-paced, free, online, video-based course designed by Katie in partnership with the National Geographic Society.

Katie Thornton (right) working in the field.

U.S. Fulbright

Here and There: Hispanic Identity and Access Abroad

September 24, 2020

This National Hispanic Heritage Month, we’re highlighting the contributions of outstanding Fulbrighters who live the Fulbright mission through their identities and goals. In this Q&A, Fulbright Student Alumni Ambassadors Tania Aparicio, Maren Lujan, and Abraham De La Rosa share their experiences and discuss inclusion and equity in international education, especially as it relates to their own experiences and identities.

Tania Aparicio, 2018 Fulbright U.S. Student in Sociology and Film to Mexico
In Mexico, Tania conducted qualitative research for her doctoral dissertation, which focuses on the decision-making process involved in film curatorship. Her doctoral thesis proposes that curatorship is a collective process influenced by the principles that organizations stand for and not based on individual taste, as other scholars have previously claimed. Working with the curatorial team at the Cineteca Nacional de Mexico, Tania conducted participant observation on how film curators make and justify programmatic decisions.

 

Abraham M. De La Rosa, 2018 Fulbright U.S. Student in Public Administration to Italy
Abraham earned a master’s degree in Public Administration through the SDA Bocconi School of Management in Milan, Italy, where he studied how the public and private sectors can collaborate to tackle new challenges across the globe. As part of this program, he interned with Officine Innovazione-Deloitte Italy and Rise Products to conduct market research on the global flour industry and upcycling products. In addition to his coursework, Abraham worked on a capstone research project focused on social impact bonds for refugees in the European Union, which he presented at the European Investment Bank in Luxemburg.

 

Maren A. Lujan, 2017 Fulbright U.S. Student in Anthropology to Sierra Leone
Maren’s Fulbright research focused on studying social and cultural structures impacting women’s access to healthcare. While in Sierra Leone, Maren conducted ethnographic research in a rural town, as well as system analysis at the regional and national levels. She worked with a Sierra Leonean research assistant and collaborated with a non-governmental organization, FOCUS 1000, to employ participatory research techniques at the local level.

 

 


1. Tell us a little about your path to Fulbright. Who or what inspired you to apply?

Tania: Fulbright is one of the most prestigious grants for graduate students. I had looked into programs to fund research in Mexico, and found my doctoral dissertation project, which is arts-based, was a good fit for the Fulbright Open Study/Research Award to Mexico. When I started my application in early May, I attended an informational session at my university. There, I met Katie Wolff, Assistant Director of Global Engagement & International Programs, and The New School’s Fulbright Program Adviser. She met with me and helped me set up a timeline to get my application materials completed during the summer. I could not have done it without her.

Abraham: I had known about Fulbright for a couple of years, but I had the misconception that Fulbright was for STEM students to continue undergraduate research projects. It was not until a few years ago that I discovered that there are a lot of different Fulbright awards available across the world. While I was working full time, I discovered that you could pursue a master’s program through Fulbright. I found an award that aligned with my educational and professional background, as well as what I wanted to continue to learn, and I decided to apply. The process was quite hectic, especially since I was working. Luckily, I had the support of my supervisor and roommate, who made sure I stayed with my application and submitted.

Maren: I don’t recall exactly what prompted me to apply. I wasn’t even entirely sure what Fulbright was before applying. A friend of mine had completed a program through Fulbright, so I was familiar with the name; perhaps a professor mentioned it offhand as an option. I applied, got it, and then figured it out from there!

 

2. Tell us a little about your Fulbright research topic and project. What did a typical day as a Fulbrighter look like for you?

Tania: I spent nine months in Mexico City gathering qualitative data for my doctoral dissertation, which investigates film curatorship in two important arts organizations. I wanted to understand how curatorial decisions are made, because they impact the film culture that millions of people have access to. My first case was the Museum of Modern Art in New York City and the second was Cineteca Nacional (The National Film Center) in Mexico City.

 

Caption: Tania Aparicio on her Fulbright, posing in front of her host institution, Cineteca Nacional in Mexico City, Mexico.

 

As a Fulbrighter, I conducted participant observation as a member of the Programming Department with Cineteca Nacional. I spent most of my time with the head curators, who decide what films 1.3 million annual visitors will watch in the film center. I was lucky to attend private film screenings and observed their firsthand reactions to the films they were judging, how they classified them, and the type of evaluation processes they engaged in. I also shadowed each member of the department, including theater managers, shipping employees, film rights managers, assistants, and interns. During the last three months of my stay, I conducted in-depth interviews with film curators who worked for other organizations, as well as other important industry members, in order to get a fuller idea of the field and of how Cineteca Nacional fit in the larger cultural landscape in Mexico. I also conducted workshops for local graduate students on how to conduct qualitative research when studying forms of cultural production, such as cinema.

Abraham: My Fulbright allowed me to pursue a Master of Public Administration degree (MPA) through the SDA Bocconi School of Management in Milan, Italy. I primarily attended classes as a graduate student and my typical day really varied. My first semester focused on courses and content, while during the second semester, I worked with classmates on a research project focused on public-private partnerships and social impact bonds for refugees in Europe. After completing the research project towards the end of the semester, I completed coursework while interning with a consulting company.

In addition, I volunteered in the local community and went hiking out of the city during the weekend. It’s hard to describe a typical day, since it really changed depending on the month and where I stood in my program.

Maren: My research topic looked at women’s health in rural Sierra Leone from a social and cultural perspective. A typical day for me was walking around the rural town where I was staying, or visiting one of the many surrounding villages, and talking with individuals about their health and their experiences with the health system.

 

Abraham De La Rosa at the United Nations Office at Geneva during a multi-day excursion in Switzerland, as part of his master’s degree program.

 

3. How did your identity play a role in your Fulbright experience?

Tania: I often had conversations about how, as an immigrant from Peru, I am from “here and there,” to borrow a phrase from Alexandra Delano, the Co-Chair and Associate Professor of Global Studies at The New School, who has written about diaspora policies, integration, and social rights beyond borders. In my experience, I received pushback from people who wanted to label me exclusively as Peruvian, rather than Peruvian-American. Nevertheless, I do not think of myself only as Peruvian anymore, and I haven’t for a long time, even though I moved to the United States as an adult and without my family. I am grateful for the opportunity I had to reflect and discuss my identity as an immigrant with my peers in Mexico. I came to realize how formative my immigration trajectory has been, and how I could never be who I’ve become anywhere else but in the United States.

Abraham: My identity played a big role in my Fulbright experience, since my courses were discussion-based. One of the topics we kept going back to was how governments and the private sector can better serve their communities. During these discussions, I was able to share with my classmates my Mexican and American experience in the United States. For most of them, it was their first time interacting with an immigrant and first-generation college student. Being able to have these deep conversations with my classmates and members of the community allowed me to share a side of the United States not normally shown in mainstream media.

Maren: Being light-skinned in Sierra Leone and West Africa categorizes you as “apotho” (white/foreigner), and with that comes privilege and certain expectations, especially in rural areas. Residents’ experiences with foreigners is commonly through foreign aid: when I approached people to talk about their health, I was assumed to be a doctor, and very often get asked for medical advice and medicine. This was also part of my research on the health system: considering the impact of international aid. A few distrusted my intentions, so a lot of my work was also building trust.

Additionally, being American, there were often assumptions of wealth—I did want individuals to understand that there is also poverty, racism, and inequality in the United States. As a first-generation Mexican-American, it felt important to me to share my experiences, but navigating those conversations could be difficult given the disparities and differences in access, and given that poverty in the United States looks very different from poverty in rural Sierra Leone.

 

Abraham De La Rosa participating at the Seeds&Chips Summit through his internship in Milan, Italy.

 

4. What is your biggest takeaway from your Fulbright?

Tania: Where, what, and how a new place becomes home is always unexpected. Also, every Fulbrighter I’ve met since my grant started are members of this amazing community of kind and insightful human beings.

 

Caption: Tania Aparicio visiting Palenque archeological site in Mexico.

 

Abraham: One of the biggest takeaways from my Fulbright is realizing that we have a lot in common with others around the world. My master’s program was composed of people from 16 different countries, and I was surprised constantly by how our countries worked similarly to try to help our communities. I found myself sometimes realizing that what I understood about a country or situation from a U.S-based perspective was not the full story. Through trying to learn mutually from others, I was able to also see a different reality about their countries and societies. These are skills that I found extremely helpful, and that I continue to use even upon my return to the United States.

Maren: Being a first-generation college graduate, I’m still amazed that programs like Fulbright exist. The fact that I was given the opportunity and funding to pursue my own research is still unbelievable to me. This has set me up for a PhD. While I will need to continue to pursue funding for my research, I do feel a sense of confidence now in seeing that my work has value, and that someone was willing to fund it.

 

5. What impact did your research or studies make in your career and local communities?

Tania: I could not have completed my dissertation research without Fulbright. Due to this research, I have presented in conferences in both Mexico and the United States, prepared articles for publication in peer-reviewed journals, and I’m currently writing my PhD dissertation. My work is a comparative study of film curatorship in a U.S.-based non-profit and a Mexico-based public organization—this comparative approach is yielding new knowledge for cultural managers and practitioners.

Abraham: My Fulbright allowed me to continue to advance professionally. Since my return to the United States, I have been working with a non-profit organization, The Forum on Education Abroad, applying a lot of my acquired knowledge. The organization works directly with universities and study abroad providers to ensure best practices in the field of education abroad.

Maren: My research focused on the use of participatory practices: how to engage with community while conducting research, and considering the impact of that research on them. I currently facilitate a community health plan with a variety of health service providers and engage with stakeholders to maximize impact. I’ve been able to re-focus the work to community impact and implement strategies for engaging with residents, folding health equity into the action plan.

 

Abraham De La Rosa with two classmates at La Scala Opera House in Milan, Italy.

 

6. What does equity and inclusion look like in international education/study abroad?

Tania: It looks like networks of people helping each other move up and forward together. For example, it looks like first-generation college students learning about programs like Fulbright and getting the mentorship and support to navigate the application process.

 

Tania Aparicio touring Mexico City with fellow Fulbrighter.

 

Abraham: This is a very complex question and I think many in the field of international education are trying to answer this. Equity, diversity, and inclusion are guiding principles that should be embedded in every aspect of international education, and considered prior to a program even beginning. When a program or an opportunity abroad is being designed, underserved and unrepresented populations should be kept in mind throughout the entire design process. This includes, but is not limited to, the mission and goals of the program; the populations for whom the program is intended; the application process; financial assistance; and the support that will be provided to each participant before, during, and after their experience abroad. If underserved and unrepresented participants are not kept in mind from the very beginning, trying to ensure equity and inclusion at the end of the process will be much more difficult and perhaps ineffective.

In a broader sense, we hope that everyone can participate in international education, and that each participating cohort is representative of the vast diversity of the United States. The goal is an opportunity where everyone feels welcomed and equally served, regardless of gender, race, identity, or background, and where you can feel safe sharing who you are and learn from others. I think the field of international education continues to improve and grow, but we can all continue to learn and share with one another to continue to grow.

Maren: I think when discussing equity and inclusion for study abroad, we want to look at the students who have historically been disenfranchised or wouldn’t have access otherwise. Recently, someone mentioned that study abroad demographics mirrored higher education numbers. If you consider all the barriers to education for low-income, minority, disabled students, and others, we have to ask: are we maximizing equity, or maintaining a status quo where only the elites and outliers have access to study abroad and international education? I got lucky learning about Fulbright and was given the opportunity of a lifetime, but I know in that respect, I’m still an outlier.

 

Abraham De La Rosa hiking in Lecco, Italy, located 30 km outside of Milan.

U.S. Fulbright

Breaking Down Stereotypes

January 3, 2017

Katie Salgado, 2016-2017, Fulbright English Teaching Assistant to Portugal, sitting on a tiled stoop in Seia

In partnership with Reach the World (RTW), the Fulbright U.S. Student Program is publishing a series of articles written by Fulbright English Teaching Assistants participating in Reach the World’s Traveler correspondents program, which through its interactive website, enriches the curriculum of elementary and secondary classrooms (primarily located in New York City but also nationwide) by connecting them to the experiences of volunteer Fulbright English Teaching Assistants (ETAs) and other world travelers who are currently studying and living abroad.

It was a misty Thursday morning in Seia. I exited the passenger side door of a silver compact car and looked up at the yellow Instituto Politécnico da Guarda (IPG) School of Tourism building. I was with my coworker, Rita, who had asked me to do a presententation to her management students on American culture. This was my first experience teaching English as a Fulbright English Teaching Assistant to a group of students in Portugal, and I was eager to discover what the students knew about American culture and traditions. Rita and I entered the building and prepared the classroom for the day.

By 9:15 a.m., the freshman students shuffled sleepily into the classroom and took their seats. They exchanged confused glances with one another, unsure of whether to speak to me in English or in Portuguese. I stood there in my black blazer and greeted them with “Good morning, everyone.” Rita sat in the back of the classroom and remained there to observe my presentation. Once the last straggler sat down at his desk, Rita smiled and flashed me a thumbs up. It was time to begin.

I introduced myself to the twenty students in the room and began my PowerPoint presentation on where I was from, my academic background and hobbies.

I then clicked to the next slide: an outline of the United States of America with the red, white and blue flag waving in the background.

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