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travel

U.S. Fulbright

All the World’s a Stage: Theater as Community Engagement

September 11, 2018

Anticipation buzzes across the blacked-out stage. In the wings, we ready ourselves. After a hundred hours of rehearsal, this moment comes at us at warp speed. Lights up, music on, action!

Didem Uca in LOVE in contact, July 14 and 15 at Theaterhaus Berlin Mitte

LOVE in Contact was a theater project devised by a team of thirteen individuals from different national, cultural, and linguistic backgrounds, the culmination of six months of exploring love in all its facets. As both a researcher of contemporary migrant, multilingual, and transnational cultures in Germany and a lifelong thespian, I could feel my scholarly and creative sides coming together in ways I could not have imagined when I first began my Research Fellowship at Humboldt University of Berlin’s Institute for German Literature exactly ten months prior.

In my dissertation, I analyzed 20th and 21st century German-language novels and memoirs about young migrants and refugees. While my ‘day job’ took place in lecture halls and libraries, in the evenings, I explored the city’s rich cultural offerings, including attending performances of both traditional repertoire and avant-garde productions at theaters such as the Maxim Gorki and Ballhaus Naunynstraße, which produce plays by and for communities from migrant and refugee backgrounds. I also participated in Youngcaritas Kulturbuddys, a group that brings together 18-27-year-old refugees and non-refugees for cultural excursions. When the leaders of that group invited me to participate in a new theater project, I jumped at the chance to transition from scholar and audience member to creative writer and actor.

Collaborating with the cast and crew felt like putting theory into practice; it gave me first-hand experience of the kinds of transcultural labor performed by the writers and protagonists I examine in my research, simultaneously enriching my understanding of transnational, multilingual art forms and my own self-understanding as a Turkish-American PhD Candidate in German studies. Writing and performing in this production and even helping to create the sets has invigorated my desire to become an active participant in contemporary German culture rather than a mere observer. I also feel encouraged to incorporate the arts in my teaching, scholarship, and activist work so that students and members of the community may feel inspired to make German culture their own.

Left to right: Ebru Duman, Didem Uca, and Frederik Bechtel in LOVE in contact, July 14 and 15 at Theaterhaus Berlin Mitte

My advice for Fulbrighters about to begin their journeys and for prospective applicants envisioning their grants is to seek out opportunities for community engagement and creative practice, as these are just as vital a part of your role as cultural ambassador as your research and teaching. You can learn about opportunities for engagement by following cultural organizations on social media, scouring your host university’s bulletin boards, reading the arts and culture sections of local newspapers, and even Googling, which is how I found out about Kulturbuddys.

Senator J. William Fulbright defined the “essence of intercultural education” as the “acquisition of empathy––the ability to see the world as others see it, and to allow for the possibility that others may see something we have failed to see, or may see it more accurately.” Theater, like all forms of creative expression, can bring people into contact with new perspectives that challenge their own prejudices, hopefully leading, as Senator Fulbright had hoped, to a more empathetic world. So, how will you spend your time off the clock?

 

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There’s No Place Like Brussels

August 3, 2018

Presenting a poster for Ph.D. Day at the de Duve Institute.

I had no idea what to expect from Brussels as I prepared to make the de Duve Institute my new lab home for the year. As a black woman and first-generation Nigerian-American, I did not know if I would see myself represented in professional or social settings in Europe. What I did know was that I would be in a supportive lab environment working with the best microbiologists in the world to combat the global threat of antibiotic resistance.

In hindsight, Belgium was the perfect fit for me academically, professionally, and socially. I established relationships with European research institutions, further prepared myself for my Ph.D. Program in the Biomedical Sciences at the University of Michigan through my research project, and made friends across the world.

One of the most rewarding experiences I had as a scientist was at our lab retreat in Cadiz, Spain, where several labs across Europe met to present our research. During a career panel discussion, I looked around the room and saw 40+ scientists but no people of color. I raised my hand and asked, “Where are the women and people of color in leadership positions? The majority of people at this retreat are women, yet all of the people in charge of these labs are white men.

Although extremely nervous, I felt obligated to be a voice for underrepresented (UR) minorities. As the only black voice, the only American voice, I could not allow the fear of asking a controversial question overshadow the opportunity to spark cross-cultural dialogue about the need for diversity in the sciences.

Spending the day at Grand Place with friends visiting from the U.S.

There was a pause followed by empathetic sighs and laughter. It was clear that they understood the gravity of my question and the paradox of discussing the need for diversity with a non-diverse panel. One of the panelists, the head of a major research institute in France, stated that they were deeply committed to diversifying STEM fields and had created task forces to increase the number of women in leadership positions. The other panelists echoed similar sentiments which prompted a passionate discussion about gender discrimination and implicit biases in STEM. Some made the point that increasing paternity leave would discourage employers from assuming that women would need more time off from their jobs than men. Others shared feelings of discouragement from seeing a room filled with female scientists only to see leadership roles filled by men. After the panel discussion, a few women expressed their gratitude for my question and I felt extremely proud for having the courage to embody the heart of the Fulbright Program.

Although my question was well-received, as the panelists and audience focused on gender, my point about race was lost. I was not surprised that this happened. Being the only person of color in the room, I recognized that people tend to focus on issues that they identify with. This further highlights the need for representation in these spaces so that UR groups will be supported and their needs addressed. Regardless, I am happy that I brought the issue to people’s attention. I hope that they will be sensitive to the challenges with representation of people of color in STEM moving forward.

Day trip to the Cliffs of Moher, Ireland with Fulbright grantees.

Related to my passion for advocating for UR groups, I created the @fulbrightnoir Instagram account to share the stories of black Fulbrighters. After meeting the first black Fulbrighters that I knew through Instagram, I wanted to encourage prospective UR applicants and UR groups within Fulbright by showcasing the diversity that exists within the program.

In addition to the @fulbrightnoir community, I connected with a Belgian woman through Instagram who introduced me to Matonge, an area central to the Congolese community in Belgium. This was the first time I was surrounded by people that looked like me and I felt right at home.

My advice to future Fulbrighters is to be open to meeting people through various platforms. Be creative, committed, and unyielding while creating your new home abroad. Social media was instrumental in building my social networks and finding social scenes that I missed direly in the U.S. Instagram connected me with a new side of Brussels that transformed my experience from great to perfect.